On reading the back cover blurbs of Lysley Tenorio’s short story
collection Monstress—stories about faith healers, Imelda Marcos, leper
colonies and artistas; “tightropes strung between the Philippines and
America”—my heart sank just a little bit. I cracked the book open, fully
expecting the tropes and characters that form the shorthand for the
Filipino experience in the West— hookers with hearts of gold, plucky
street kids, flamboyant parloristas, drug kingpins with names like Don
Ramon, Martial Law, and a strident, overarching Social Message to each
story. Like a Brocka or Bernal film, except, you know, a few decades old
and repeated so much as to be predictable and tiresome.
Luckily, my expectations were all proven wrong. Unlike the usual
characters in the Filipino-by-way-of-the-West genre, those that populate
Tenorio’s stories are not two-dimensional mouthpieces here to Teach the
Reader a Lesson. Tenorio’s misfits are fully realized, heartbreakingly
human creations that act in unpredictable but ultimately understandable
ways.
Read the rest of my review over at Jessica Zafra's blog.
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